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Ode to a Nightingale
"Ode to a Nightingale" is a poem by John Keats written in May 1819 in either the garden of the Spaniards Inn, Hampstead, London, or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats House, also in Hampstead. According to Brown, a nightingale had built its nest near his home in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in ''Annals of the Fine Arts'' the following July. "Ode to a Nightingale" is a personal poem that describes Keats's journey into the state of negative capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and explores the themes of nature, transience and mortality, the latter being particularly personal to Keats.
The nightingale described within the poem experiences a type of death but does not actually die. Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life. In the poem, Keats imagines the loss of the physical world and sees himself dead—as a "sod" over which the nightingale sings. The contrast between the immortal nightingale and mortal man, sitting in his garden, is made all the more acute by an effort of the imagination. The presence of weather is noticeable in the poem, as spring came early in 1819, bringing nightingales all over the heath. Many critics favor "Ode to a Nightingale" for its themes but some believe that it is structurally flawed because the poem sometimes strays from its main idea.
==Background==
Of Keats's six major odes of 1819, "Ode to Psyche" was probably written first and "To Autumn" written last. Sometime between these two, he wrote "Ode to a Nightingale".〔Bate 1963 p. 498〕 It is possible that the poem was written between 26 April and 18 May 1819, based on weather conditions and similarities between images in the poem and those in a letter sent to Fanny Keats on May Day. The poem was composed at the Hampstead house Keats shared with Brown, possibly while sitting beneath a plum-tree in the garden.〔Gittings 1968 pp. 316–318〕 According to Keats' friend Brown, Keats finished the Ode in just one morning: "In the spring of 1819 a nightingale had built her nest near my house. Keats felt a tranquil and continual joy in her song; and one morning he took his chair from the breakfast-table to the grass-plot under a plum-tree, where he sat for two or three hours. When he came into the house, I perceived he had some scraps of paper in his hand, and these he was quietly thrusting behind the books. On inquiry, I found those scraps, four or five in number, contained his poetic feelings on the song of the nightingale."〔Bate 1963 qtd p. 501〕 Brown's account is personal as he claimed the poem was directly influenced by his house and preserved by his own doing. However, Keats relied on both his own imagination and other literature as sources for his depiction of the nightingale.〔Motion 1999 p. 395〕
The exact date of "Ode to a Nightingale", as well as "Ode on Indolence", "Ode on Melancholy" and "Ode on a Grecian Urn", is unknown, as Keats dated all as 'May 1819'. However, he worked on the four poems together and there is a unity in both their stanza forms and their themes. The exact order the poems were written in is also unknown, but they form a sequence within their structures. While Keats was writing "Ode on a Grecian Urn" and the other poems, Brown transcribed copies of the poems and submitted them to Richard Woodhouse.〔Gittings 1968 311〕 During this time, Benjamin Haydon, Keats' friend, was given a copy of "Ode to a Nightingale", and he shared the poem with the editor of the ''Annals of the Fine Arts'', James Elmes. Elmes paid Keats a small sum of money, and the poem was published in the July issue.〔Bate 1963 p.533〕 The poem was later included in Keats' 1820 collection of poems, ''Lamia, Isabella, The Eve of St Agnes, and Other Poems''.〔Stillinger 1998 p. 15〕
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